Luke Lorentzen’s doc Midnight Family takes a complex look at the morally thorny world of privatized healthcare in Mexico City. And the perfectly charming set of protagonists makes a lot of it feel rather… fun, which is surprising considering some of the territory covered.
We follow the Ochoa family, a team of a father and two troublingly young sons who run their own semi-legal private ambulance business in Mexico City (a metropolis, the opening titles tell us, woefully underserved by public ambulances). They race from accident to accident (sometimes literally careening past their competitors on the way), helping people while also looking to make some cash along the way.
The specifics of the legality and morality are a bit murky (and only become more complicated as Midnight Family goes on), but the film makes it clear that the Ochoas genuinely want to help and strive to provide good care to their patients. And Lorentzen does an excellent job capturing the energy of the situations they find themselves in. At times, Midnight Family feels more like a narrative than a documentary, thanks to its fast pace and often eye-popping cinematography.
In terms of how the story is told, this is “fly on the wall” style through and through. Which helps heighten the tension, as everything unfolds in real time and in the moment. However, I do wish the film had taken a breath and gotten into some of the specifics about who these people are and how they got there. We do glean information about their lives from contextual clues in the quieter moments (when we see them at home, when we see Juan speaking to his older girlfriend on the phone), but a bit more exploration of the rest of their lives would have made it an even more emotionally gripping watch.
As it stands, though, Lorentzen has created a film that is empathetic, illuminating, funny, and heartbreaking all at once. In some ways it’s hard to believe that this family’s life is real yet it’s also, sadly, not surprising at all.