The Levelling, the debut feature of English director Hope Dickson Leach, is understated and solemn, but also crackling with emotional intensity.
At just 83 minutes long, the story is slight – at times too much so – but it feels like the perfect length for this quiet slice of life that writer-director Leach is conveying.
The Levelling is set during the Somerset Levels floods of 2014, which jeopardized the livelihoods of many in the area. However, that real-life event largely serves as a backdrop (and metaphorical tie-in) for Leach’s fictional story. It follows Clover (Game of Thrones’ Ellie Kendrick), a veterinary student who returns home to her family’s farm after the sudden death of her brother, Harry (Joe Blackmore). In the immediate aftermath of Harry’s death, their father (David Troughton) struggles to come to terms with it, so Clover must take care of the farm while also trying to piece together exactly how her brother died.
The Levelling is largely a film about grief. While the mystery-of-sorts surrounding Harry’s death serves as a loose plot to propel the movie along, the main focus is on the ramifications that incident has on Clover, her father, and their relationship. Leach’s examination of loss is delicate, saying more with silence, characters’ body language, and cinematic atmosphere than she does with words in the screenplay. The Levelling has a tone that is understated and a little grim without ever feeling morose. Leach’s handle on the material is too steady to venture into melodrama and The Levelling is all the more captivating because of it.
Also greatly helping to convey the film’s subtle narrative themes is Kendrick, whose performance is nothing short of stunning. Her face is so expressive that it’s easy to know how Clover is feeling without it ever feeling too obvious or exaggerated. Clover is a very internalized character, which doesn’t always translate on screen, yet rather than her introversion feeling like a hurdle for the film to get over, Kendrick sinks her teeth into it, finding other ways to inhabit the character. Despite the film’s other strengths, it seems doubtful this character study would have worked without a strong lead actress like Kendrick.
The Levelling may not grip everyone, but I found that its quiet impact lingered with me, hitting in unlikely ways for a seemingly low-key movie. Let the beautiful cinematography wash over you and accept the story for what it is. You might find that it says some unexpected things about human nature in the process.